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Synopsis　　Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.　　Notes　　A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.　　A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.　　Afterword　　- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

回答：這部影視作品的場景布景設計獨具匠心，展現出獨特的美學風格，給人留下深刻印象。

《心中的故鄉》劇情設置是否出人意料？有沒有令人難忘的反轉？

回答：劇情設置充滿驚喜，充斥著出人意料的情節發展，令人印象深刻的反轉讓觀眾大呼過癮。

《心中的故鄉》如果這部影視作品能與其他影視作品跨界合作，您認為哪部作品最適合？

回答：如果這部影視作品能與其他作品跨界合作，我認為與相同領域的編導進行合作會非常有趣，兩部作品風格相近，可以帶來許多有趣的元素。

《心中的故鄉》如果您能改編這部影視作品的結局，您會選擇怎樣的結局？

回答：如果我能改編這部影視作品的結局，我可能會選擇一個更加開放或懸疑的結局，讓觀眾產生更多想象空間和討論話題。

《心中的故鄉》這部影視作品中是否有一句對白或臺詞讓您印象深刻？能分享一下嗎？

回答：這部影視作品中有一句對白“你真好看”讓我印象深刻，這句話深刻表達了角色的內心世界。

《心中的故鄉》如果您能在這部影視作品中扮演一個角色，您會選擇哪個角色？為什么？

回答：如果我能在這部影視作品中扮演一個角色，我可能會選擇飾演男一號，因為這個角色的成長歷程和情感轉折讓人動容。

《心中的故鄉》在您看來，這部影視作品最大的亮點是什么？

回答：在我看來，這部影視作品最大的亮點在于心意十足，這一特點讓整部作品顯得獨具魅力。

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